He ran as fast as he could. He could feel his heartbeat in his throat. Bum bum! Bum bum! Bum bum! He had to run blindly, for if he turned to look back, it would catch him for sure. The whole world seemed to blur around him, but he wasn’t sure, because the only thing he was focused on was getting away.
Skillfully, he maneuvered around each obstacle as he came upon it. Any other day, any other scenario, he would aplaude himself for his ninja-like movement, but now there was no time for that. He had to keep running. He could hear it behind him now. How sad, he thought, that all his effort be wasted if he allows it to catch him. So he ran.
Suddenly, he saw it, the one thing that could bring him hope at a time like this. The afternoon sun shining on the chestnut flooring through two giant glass doors. Before thinking twice about it, he found a familiar opening, a smaller door, one perfect for him to fit through. He bounded for, and slipped through.
Now he can feel the warm sun on his face, but he can’t stop to enjoy it, for he’s not safe yet. So he ran. Though he would have previously thought it impossible, he’s sure he’s running faster than he’d ever run before. He can feel the soft, comforting grass on the pads of his feet. Just as a feeling of buoyancy starts to ripple across him like tiny waves on a beach, it’s quickly destroyed, as he feels it gaining on him once again. Still he refuses to look back. However, he could sense it covering over him. He feared that if he slowed, even the slightest bit, he’d be crushed by it’s huge feet.
He keeps running around the enormous house he’d just escaped. Soon, he sees a giant wooden structure with a staircase leading up to the door of the house. There was a space underneath, just large enough for him to crawl under.
There, he waited for a moment, listening. Then he heard it yell from the outside, “Are you under the deck? Buddy, bad dog!” Oh, “bad dog”. He was not a fan of those words, in fact, they may arguably be his least favorite in the world, but for now, at least he could enjoy his stolen sausage in peace.
Skillfully, he maneuvered around each obstacle as he came upon it. Any other day, any other scenario, he would aplaude himself for his ninja-like movement, but now there was no time for that. He had to keep running. He could hear it behind him now. How sad, he thought, that all his effort be wasted if he allows it to catch him. So he ran.
Suddenly, he saw it, the one thing that could bring him hope at a time like this. The afternoon sun shining on the chestnut flooring through two giant glass doors. Before thinking twice about it, he found a familiar opening, a smaller door, one perfect for him to fit through. He bounded for, and slipped through.
Now he can feel the warm sun on his face, but he can’t stop to enjoy it, for he’s not safe yet. So he ran. Though he would have previously thought it impossible, he’s sure he’s running faster than he’d ever run before. He can feel the soft, comforting grass on the pads of his feet. Just as a feeling of buoyancy starts to ripple across him like tiny waves on a beach, it’s quickly destroyed, as he feels it gaining on him once again. Still he refuses to look back. However, he could sense it covering over him. He feared that if he slowed, even the slightest bit, he’d be crushed by it’s huge feet.
He keeps running around the enormous house he’d just escaped. Soon, he sees a giant wooden structure with a staircase leading up to the door of the house. There was a space underneath, just large enough for him to crawl under.
There, he waited for a moment, listening. Then he heard it yell from the outside, “Are you under the deck? Buddy, bad dog!” Oh, “bad dog”. He was not a fan of those words, in fact, they may arguably be his least favorite in the world, but for now, at least he could enjoy his stolen sausage in peace.
Utopia Ekphrastic
The Chrome Lie
A massive landbridge,
goes on for miles,
the buildings made of chrome.
The sun shines down,
and breaks through the clouds,
to eternalize this metallic heaven.
The dark blue ocean,
spans horizons,
its depths embody the unknown.
But the chrome people,
in the chrome town,
look down,
and frown,
and spit,
for the unknown mocks them.
But the chrome town knows not,
of the pillars beneath them,
that rot in spite,
and will plunge the chrome into the unknown.
A lonely traveler,
goes on for miles,
in a boat made of wood.
He looks up at the land bridge,
to the sun,
to the chrome,
to the ocean,
to the people,
who cuss and spit,
because he is a stranger which makes him unfit.
He thought he found heaven,
the supposed ending,
but begins to realize,
he has yet more to learn.
A girl’s gaze,
goes on for miles,
on a peak of sweet smelling grass.
She sees the chrome,
the sun,
the traveler,
but her eyes always seem to roam,
back to the unknown.
The people didn’t like the ocean,
they didn’t like her,
it seemed that she had a friend.
The girl smiled for the first time,
for she had opened her mind,
and found her own heaven.
The Chrome Lie
A massive landbridge,
goes on for miles,
the buildings made of chrome.
The sun shines down,
and breaks through the clouds,
to eternalize this metallic heaven.
The dark blue ocean,
spans horizons,
its depths embody the unknown.
But the chrome people,
in the chrome town,
look down,
and frown,
and spit,
for the unknown mocks them.
But the chrome town knows not,
of the pillars beneath them,
that rot in spite,
and will plunge the chrome into the unknown.
A lonely traveler,
goes on for miles,
in a boat made of wood.
He looks up at the land bridge,
to the sun,
to the chrome,
to the ocean,
to the people,
who cuss and spit,
because he is a stranger which makes him unfit.
He thought he found heaven,
the supposed ending,
but begins to realize,
he has yet more to learn.
A girl’s gaze,
goes on for miles,
on a peak of sweet smelling grass.
She sees the chrome,
the sun,
the traveler,
but her eyes always seem to roam,
back to the unknown.
The people didn’t like the ocean,
they didn’t like her,
it seemed that she had a friend.
The girl smiled for the first time,
for she had opened her mind,
and found her own heaven.
Utopia Ekphrastic
“Maybe Utopia Is Terrifying”(Conrad Shaw).
To what could compare
Holding the hands of my father, mother, sister, and brother
the people around us smile with a gleam.
Almost as bright as the sun in our eyes
I sniff to smell nothing but lavish and laughter.
Like a daisy high in praise, the sun smiles.
Its rays rain down to our world
to touch the earth once again.
Hills roll over themselves like my dog embracing their shape.
Green grass covers its floor
the earth with no escape.
Where I am standing, I could want nothing more.
The buildings stand tall almost touching the sky.
I can hear the clouds and stars at the high.
The moon gleams too looking in compare to the sun
but it is calm no burns of bright.
Spaceships and satellites round farther to reach its palm.
The ash of the future
so defined and raw.
The collide of the atmosphere
we all exist gleaming for its celestial draw.
With the chills of the not yet crescent moon
and the fire of the center to what lightens our faces
we smile.
The home we embrace of scraping sky buildings
the happiness of lavish clam rains
the rolling grass filled with hills
satellites and rockets gracing the clouds and stars
reaching the palm of the atmosphere.
One thing I can say is what beautiful view we can seize to share.
What paradise of such could compare
to the hands I hold and the faces surrounding me
all of which I wouldn’t replace
and all of which I am bound to stay near.
“Maybe Utopia Is Terrifying”(Conrad Shaw).
To what could compare
Holding the hands of my father, mother, sister, and brother
the people around us smile with a gleam.
Almost as bright as the sun in our eyes
I sniff to smell nothing but lavish and laughter.
Like a daisy high in praise, the sun smiles.
Its rays rain down to our world
to touch the earth once again.
Hills roll over themselves like my dog embracing their shape.
Green grass covers its floor
the earth with no escape.
Where I am standing, I could want nothing more.
The buildings stand tall almost touching the sky.
I can hear the clouds and stars at the high.
The moon gleams too looking in compare to the sun
but it is calm no burns of bright.
Spaceships and satellites round farther to reach its palm.
The ash of the future
so defined and raw.
The collide of the atmosphere
we all exist gleaming for its celestial draw.
With the chills of the not yet crescent moon
and the fire of the center to what lightens our faces
we smile.
The home we embrace of scraping sky buildings
the happiness of lavish clam rains
the rolling grass filled with hills
satellites and rockets gracing the clouds and stars
reaching the palm of the atmosphere.
One thing I can say is what beautiful view we can seize to share.
What paradise of such could compare
to the hands I hold and the faces surrounding me
all of which I wouldn’t replace
and all of which I am bound to stay near.
Utopia Ekphrastic
Copper
Tall buildings, and small buildings, these broad buildings unflawed,
A waterfall, a grand wall,
All overcome by brass, alas
The desert, the last effort,
Only adding to the scenery,
And greenery of lush gardens
They’re the guardians of utopia,
A place of atelophobia
Plump domes and lofty buildings bestrew this delineation, a perfect nation
But it is true, this proper, copper, whopper was designed to prosper
It’s the people’s precious, plenteous, peaceful, and punctual, progressive, profound, placid, preeminent, piquant, phenomenal, pristine, philanthropic, perfect, population.
Copper
Tall buildings, and small buildings, these broad buildings unflawed,
A waterfall, a grand wall,
All overcome by brass, alas
The desert, the last effort,
Only adding to the scenery,
And greenery of lush gardens
They’re the guardians of utopia,
A place of atelophobia
Plump domes and lofty buildings bestrew this delineation, a perfect nation
But it is true, this proper, copper, whopper was designed to prosper
It’s the people’s precious, plenteous, peaceful, and punctual, progressive, profound, placid, preeminent, piquant, phenomenal, pristine, philanthropic, perfect, population.
Utopia Ekphrastic
I “Shine Bright,” “You live on a throne of filth”
I “shine bright”
“Shine bright like a diamond”
Because the rest of the world around me is not too good
Not too good
“So I say let it die”
“Let it die, let it die”
No we’ll let it live
But it is just not too good
I am better than the rest of the filth of the population
I have a shiny thing to act like a spotlight above me
And I’m sorry, but “would I call it a shiny thing if I knew what it was?”
There is a light like the Heavens opening above in exceptness over my center of the frame
Darkness over the rest
The rest meaning “To Infinity and Beyond”
And you may say “Inconceivable”
“But I do not think that word means what you think it means”
Clouds of pepper that make me cough
And that is what I see above your range
One broken pillar to represent your one fallen union is what I see you standing on
While mine are strong and hold a foundation of greatness
Boats on the dock
Waiting
Waiting while people adventure through my archway in hope of a new start
“You’re killing me, Outsiders”
You’ll never be as good as me
And to that one lonely man that watches and will try to mimic my every move
“Keep the change, ya filthy animal”
Endless mountains of the same ole thing that surrounds me
“Darkness…...Bueller…...Darkness……”
The same dark buildings that are not as good as me
The same dark buildings that are as dark as the smog above California
And through the mountains of the awful buildings
The sun crawls through the sky to give them some hope
“Aww, bless them”
But still my light shines through from the Heavens
My dazzling part of the frame is perfect
Before your listening comes to an end
“I’m going to finish you like a cheesecake”
I “Shine Bright,” “You live on a throne of filth”
I “shine bright”
“Shine bright like a diamond”
Because the rest of the world around me is not too good
Not too good
“So I say let it die”
“Let it die, let it die”
No we’ll let it live
But it is just not too good
I am better than the rest of the filth of the population
I have a shiny thing to act like a spotlight above me
And I’m sorry, but “would I call it a shiny thing if I knew what it was?”
There is a light like the Heavens opening above in exceptness over my center of the frame
Darkness over the rest
The rest meaning “To Infinity and Beyond”
And you may say “Inconceivable”
“But I do not think that word means what you think it means”
Clouds of pepper that make me cough
And that is what I see above your range
One broken pillar to represent your one fallen union is what I see you standing on
While mine are strong and hold a foundation of greatness
Boats on the dock
Waiting
Waiting while people adventure through my archway in hope of a new start
“You’re killing me, Outsiders”
You’ll never be as good as me
And to that one lonely man that watches and will try to mimic my every move
“Keep the change, ya filthy animal”
Endless mountains of the same ole thing that surrounds me
“Darkness…...Bueller…...Darkness……”
The same dark buildings that are not as good as me
The same dark buildings that are as dark as the smog above California
And through the mountains of the awful buildings
The sun crawls through the sky to give them some hope
“Aww, bless them”
But still my light shines through from the Heavens
My dazzling part of the frame is perfect
Before your listening comes to an end
“I’m going to finish you like a cheesecake”
Exposition of "The Dragonstone"
Long ago, in a small kingdom on today’s Europe known as Camelot, three races lived peacefully amongst each other, creating a harmony and an ambiance of happiness. The leaders of the humans, elves, and goblins, along with many other minorities, protected the earth, as if it were a child. They did this so easily with the three Dragonstones. The stones harnessed the strength and wisdom of the dragons in the kingdom, forged to give the three leaders all the power in the world, only if it was used wisely. But soon, the goblin king, Rushmore Volt, turned against the humans and elves consumed in greed, wanting all of the omnipotence for himself. Shortly, war raged on the lands, killing thousands of brave men. To make matters worse, Volt bribed the human king, with all the power and gold he could want, but this deal was just another betrayal. When taking the human-bound Dragonstone from the king, Volt broke it, shattering it to pieces. In resentment and anguish, Volt was weakened, and the loyal elves stepped up to banish Volt forever, forcing him to only have rule over his race. The humans, however, were punished with ending life, their immortality was lost. The humans, now greedy and mortal, fled to rule over themselves, leaving the elves and any loyal creatures Camelot. Volt´s stone was destroyed, the humanś' crushed to a million pieces, and the only Dragonstone that remained was that of the elves. Over thousands of years and generations, humans called this a fairy tale, and the elves created new ways of protection. The Hammer of Merlin summoned the strength of the old wizard, but for physical purposes, this was only given to the strong of heart and body. The best of brains received the Wand of Morgana, an evil witch whose power had been taken and turned into a use of good, to ward off any evil in the land with a simple flick. Today, the three artifacts are locked up, only to return when the true owner of the Dragonstone is found.
Long ago, in a small kingdom on today’s Europe known as Camelot, three races lived peacefully amongst each other, creating a harmony and an ambiance of happiness. The leaders of the humans, elves, and goblins, along with many other minorities, protected the earth, as if it were a child. They did this so easily with the three Dragonstones. The stones harnessed the strength and wisdom of the dragons in the kingdom, forged to give the three leaders all the power in the world, only if it was used wisely. But soon, the goblin king, Rushmore Volt, turned against the humans and elves consumed in greed, wanting all of the omnipotence for himself. Shortly, war raged on the lands, killing thousands of brave men. To make matters worse, Volt bribed the human king, with all the power and gold he could want, but this deal was just another betrayal. When taking the human-bound Dragonstone from the king, Volt broke it, shattering it to pieces. In resentment and anguish, Volt was weakened, and the loyal elves stepped up to banish Volt forever, forcing him to only have rule over his race. The humans, however, were punished with ending life, their immortality was lost. The humans, now greedy and mortal, fled to rule over themselves, leaving the elves and any loyal creatures Camelot. Volt´s stone was destroyed, the humanś' crushed to a million pieces, and the only Dragonstone that remained was that of the elves. Over thousands of years and generations, humans called this a fairy tale, and the elves created new ways of protection. The Hammer of Merlin summoned the strength of the old wizard, but for physical purposes, this was only given to the strong of heart and body. The best of brains received the Wand of Morgana, an evil witch whose power had been taken and turned into a use of good, to ward off any evil in the land with a simple flick. Today, the three artifacts are locked up, only to return when the true owner of the Dragonstone is found.
The Roots of Feminism In America
Despite misconceptions and inaccurate perceptions about it, feminism, at its core, is the movement for equality between men and women. Feminism has been developing in America for nearly two centuries, and its main goals and representation have changed with the growth of society. Modern lifestyle has undeniably been shaped by feminism, and its role in the future cannot be overlooked.
To begin to understand feminism, it is important to understand the structure that defines it. Feminism is categorized into “waves” based on the time period, representation, and goals of each. Historically, there have been three feminist waves, although the lines separating each are blurred at times. “The [first wave of feminism] formally began at the Seneca Falls Convention in 1848 when three hundred men and women rallied to the cause of equality for women (Four Waves of Feminism). This is not to say that this was the beginning of feminist ideas, but it was the first distinguishable organized event that feminism can be traced back to. The first wave was intertwined with abolitionism, however its main goal was women’s suffrage. This first movement lasted until the early twentieth century, when the 19th Aamendment was ratified in 1920 granting women the right to vote.
The second wave of feminism began in the 1960s, a time when many other social movements also occurred, and focused on sexuality and reproductive rights of women. In her novel, The Feminine Mystique, which was believed to have inspired the second wave of feminism, Betty Friedan powerfully wrote, “When society asks so little of women, every woman has to listen to her own inner voice to find her identity in this changing world. She must create, out of her own needs and abilities, a new life plan, fitting in the love and children and home that have defined femininity in the past with the work toward a greater purpose that shapes the future.” In contrast to the first, the second wave was propelled by women of diverse backgrounds, one of the negative effects of the aforementioned being that it caused conflicting views between women within the movement. The second wave campaigned to pass the Equal Rights Amendment, which stated that, “Equality of rights under the law shall not be abridged by the United States or by any State on account of sex." This movement was noted to have ended when the amendment narrowly failed to receive the necessary ratification from the states by the deadline in 1982.
Finally, the early 1990s witnessed the birth of third wave of feminism, which “sought to question, reclaim, and redefine the ideas, words, and media that have transmitted ideas about womanhood, gender, beauty, sexuality, femininity, and masculinity, among other things,” as explained in Encyclopedia Britannica (Burkett). Third wave feminism could not have existed without the second or first waves, however it aimed to fix the shortcomings of its predecessors. Feminism today is often referred to as “the fourth wave of feminism,” and while it has much in common with the third wave, its inclusion of sexual orientation and interrelations to other social issues is more pronounced. Feminism is once again in the public eye, and the use of social media is largely responsible for this. However, the term feminist has earned a negative connotation in today’s society, due to extreme feminists that have been put in the spotlight of the nation, giving feminism as a whole a tarnished reputation. Forbes insightfully notes, “There are thousands who believe in equal rights but find “feminism” a word and a movement that doesn’t align with their personal beliefs or values,” because of the way it is often displayed in the media (Caprino). This doesn’t mean that feminism is unnecessary, or that there is nothing left to accomplish. “Nowadays, it is so easy to dismiss the need for feminism because the ‘big issues’ have been dealt with, but there is still so much discrimination against women,” (Reader). Women are still significantly underrepresented in high level positions of power, and despite the achievements of feminism in the past, women still struggles to meet beauty standards that should not even exist, and phrases like, “you’re pretty good, for a girl,” are still tossed around. On top of this, women are still objectified, and are told dressing a certain way means that they are “asking for it.” Sexual assault remains a tremendous problem, as “one in five women [compared to] one inand seventy one men will be raped at some point in their lives,” according to the Nation Sexual Violence Resource Center. Feminism continues to have a battle to fight, but not in the way it was traditionally.
In essence, feminism is an integral part of society today, regardless of whether it is viewed positively or negatively. It is crucial to realize that women in America owe the rights and privileges they have today to feminism, but there is still much left to be accomplished. In an ideal world, the fact that women and men are equal would be indisputable, but that world does not exist, or at least not yet. Feminism has shaped the way the world is today, and the future will be molded in its hands.
Despite misconceptions and inaccurate perceptions about it, feminism, at its core, is the movement for equality between men and women. Feminism has been developing in America for nearly two centuries, and its main goals and representation have changed with the growth of society. Modern lifestyle has undeniably been shaped by feminism, and its role in the future cannot be overlooked.
To begin to understand feminism, it is important to understand the structure that defines it. Feminism is categorized into “waves” based on the time period, representation, and goals of each. Historically, there have been three feminist waves, although the lines separating each are blurred at times. “The [first wave of feminism] formally began at the Seneca Falls Convention in 1848 when three hundred men and women rallied to the cause of equality for women (Four Waves of Feminism). This is not to say that this was the beginning of feminist ideas, but it was the first distinguishable organized event that feminism can be traced back to. The first wave was intertwined with abolitionism, however its main goal was women’s suffrage. This first movement lasted until the early twentieth century, when the 19th Aamendment was ratified in 1920 granting women the right to vote.
The second wave of feminism began in the 1960s, a time when many other social movements also occurred, and focused on sexuality and reproductive rights of women. In her novel, The Feminine Mystique, which was believed to have inspired the second wave of feminism, Betty Friedan powerfully wrote, “When society asks so little of women, every woman has to listen to her own inner voice to find her identity in this changing world. She must create, out of her own needs and abilities, a new life plan, fitting in the love and children and home that have defined femininity in the past with the work toward a greater purpose that shapes the future.” In contrast to the first, the second wave was propelled by women of diverse backgrounds, one of the negative effects of the aforementioned being that it caused conflicting views between women within the movement. The second wave campaigned to pass the Equal Rights Amendment, which stated that, “Equality of rights under the law shall not be abridged by the United States or by any State on account of sex." This movement was noted to have ended when the amendment narrowly failed to receive the necessary ratification from the states by the deadline in 1982.
Finally, the early 1990s witnessed the birth of third wave of feminism, which “sought to question, reclaim, and redefine the ideas, words, and media that have transmitted ideas about womanhood, gender, beauty, sexuality, femininity, and masculinity, among other things,” as explained in Encyclopedia Britannica (Burkett). Third wave feminism could not have existed without the second or first waves, however it aimed to fix the shortcomings of its predecessors. Feminism today is often referred to as “the fourth wave of feminism,” and while it has much in common with the third wave, its inclusion of sexual orientation and interrelations to other social issues is more pronounced. Feminism is once again in the public eye, and the use of social media is largely responsible for this. However, the term feminist has earned a negative connotation in today’s society, due to extreme feminists that have been put in the spotlight of the nation, giving feminism as a whole a tarnished reputation. Forbes insightfully notes, “There are thousands who believe in equal rights but find “feminism” a word and a movement that doesn’t align with their personal beliefs or values,” because of the way it is often displayed in the media (Caprino). This doesn’t mean that feminism is unnecessary, or that there is nothing left to accomplish. “Nowadays, it is so easy to dismiss the need for feminism because the ‘big issues’ have been dealt with, but there is still so much discrimination against women,” (Reader). Women are still significantly underrepresented in high level positions of power, and despite the achievements of feminism in the past, women still struggles to meet beauty standards that should not even exist, and phrases like, “you’re pretty good, for a girl,” are still tossed around. On top of this, women are still objectified, and are told dressing a certain way means that they are “asking for it.” Sexual assault remains a tremendous problem, as “one in five women [compared to] one inand seventy one men will be raped at some point in their lives,” according to the Nation Sexual Violence Resource Center. Feminism continues to have a battle to fight, but not in the way it was traditionally.
In essence, feminism is an integral part of society today, regardless of whether it is viewed positively or negatively. It is crucial to realize that women in America owe the rights and privileges they have today to feminism, but there is still much left to be accomplished. In an ideal world, the fact that women and men are equal would be indisputable, but that world does not exist, or at least not yet. Feminism has shaped the way the world is today, and the future will be molded in its hands.
The Essential Art Found in Human Suffering
Throughout all of time, humans have been known to have a particular interest in darkness, disease, and death. Ancient civilizations created gods and idols that worshipped these ideas, and the rise of Christianity brought new views on sin and god that still resonate with followers today. At the dawn of the 19th century, as religion began to falter, Romanticism and other idealist movements captivated non-conformists and gave them a new way to find enlightenment. One of the most prominent movements to arise during this time was Dark Romanticism (Dark Romanticism). Dark Romanticism was a tangent of traditional Romanticism but not necessarily converse to it. Instead, it mirrored the teachings and beliefs associated with Romanticism in a way that focused on the melancholy of life instead on enlightenment. Dark Romanticism was, and is not inherently associated with evil, but investigates subjects that are too dark for normal Romanticism, like murder, lust, abuse and other grotesque concepts. Because of this, nearly all literature that looks to teach society about these topics, fall under the banner of Dark Romanticism and thus create a wide spectrum of works, many of which affects modern America today. Without the influence of this critical movement, the world would be less knowledgeable about some of the most fundamental aspects of life.
First, Dark Romanticism was advocated by some of the most influential writers in history through their poems and novels. The most prominently known writer was Edgar Allan Poe, a 19th century author who explored grotesque concepts so deeply that he was called the Master of Macabre (Who Was Edgar Allan Poe?). Another trailblazer of the genre was Nathaniel Hawthorne, a Salem author who wrote famous works that depicted sin and violence. Hawthorne also wrote about macabre, and like Poe he took inspiration from life experiences (Nathaniel Hawthorne). Both writers were influential to the movement and America as they created new thinking stems that pushed the limits of Romanticism and art in general.
Not only is Dark Romanticism a branch of classic Romanticism, but it created its own branches as well. Light Romanticism, sometimes known as Heroism, focused on neither human enlightenment nor suffering, but on the prospect of being greater than human. Pieces like “Frankenstein” by Mary Shelley, fall into both Dark and Light Romanticism as it tells a story of both of a lost soul and a found one. This is just one example of how Romantic pieces are characteristically open for interpretation. Herman Melville was likely the best example of a Light and Dark Romanticist author who wrote many American classics. One of these, “Billy Budd, Sailor”, is a blatant example of the light and dark contrasts found in Melville’s work (Gettysburg). On the other hand, Gothicism or Gothism, was a movement nearly identical to Dark Romanticism rather than opposite it. Gothicism also focused on the macabre, but was primarily located in Sweden and focused on the glory of the Swedish Geats, Goths, or Vikings (Gothicism). This movement, although having existed before Romanticism in general, didn’t find traction until the rise of Dark Romantic literature which resonated with and forwarded the ideals of Gothicism (Gothic v. Romanticism). The effects of Heroism and Gothicism can still be seen in the latter days, whether it be in music, art, fashion, or any other form of pop culture media.
Finally, Dark Romanticism affects modern America in many fields and art forms today. It can be found in traditional forms like art and poetry, or in non orthodox forms like comedy or fashion. Besides that, it also has influenced American homes. The ideas of violence, pain, and death are things that normal people think about or deal with all of the time, and those concepts make more sense and thus hurt less due to the ideals of Dark Romanticism. Furthermore, the literature that came with Dark Romanticism brought up serious questions that resonate with generation after generation. Mortality, human nature, life, death, and much more are all seen in a different light today than they otherwise would be, and society would be much less enlightened if they lacked this light.
Overall, Dark Romanticism was an essential movement to modern America, and has brought countless works of art with it from its 19th century origins. Without the critical influence of the writers and ideals of Dark Romanticism, the world may have been very different and society less knowledgeable and open minded. Ironically, the art found in human suffering, may be the art that teaches humans how to suffer the least.
Throughout all of time, humans have been known to have a particular interest in darkness, disease, and death. Ancient civilizations created gods and idols that worshipped these ideas, and the rise of Christianity brought new views on sin and god that still resonate with followers today. At the dawn of the 19th century, as religion began to falter, Romanticism and other idealist movements captivated non-conformists and gave them a new way to find enlightenment. One of the most prominent movements to arise during this time was Dark Romanticism (Dark Romanticism). Dark Romanticism was a tangent of traditional Romanticism but not necessarily converse to it. Instead, it mirrored the teachings and beliefs associated with Romanticism in a way that focused on the melancholy of life instead on enlightenment. Dark Romanticism was, and is not inherently associated with evil, but investigates subjects that are too dark for normal Romanticism, like murder, lust, abuse and other grotesque concepts. Because of this, nearly all literature that looks to teach society about these topics, fall under the banner of Dark Romanticism and thus create a wide spectrum of works, many of which affects modern America today. Without the influence of this critical movement, the world would be less knowledgeable about some of the most fundamental aspects of life.
First, Dark Romanticism was advocated by some of the most influential writers in history through their poems and novels. The most prominently known writer was Edgar Allan Poe, a 19th century author who explored grotesque concepts so deeply that he was called the Master of Macabre (Who Was Edgar Allan Poe?). Another trailblazer of the genre was Nathaniel Hawthorne, a Salem author who wrote famous works that depicted sin and violence. Hawthorne also wrote about macabre, and like Poe he took inspiration from life experiences (Nathaniel Hawthorne). Both writers were influential to the movement and America as they created new thinking stems that pushed the limits of Romanticism and art in general.
Not only is Dark Romanticism a branch of classic Romanticism, but it created its own branches as well. Light Romanticism, sometimes known as Heroism, focused on neither human enlightenment nor suffering, but on the prospect of being greater than human. Pieces like “Frankenstein” by Mary Shelley, fall into both Dark and Light Romanticism as it tells a story of both of a lost soul and a found one. This is just one example of how Romantic pieces are characteristically open for interpretation. Herman Melville was likely the best example of a Light and Dark Romanticist author who wrote many American classics. One of these, “Billy Budd, Sailor”, is a blatant example of the light and dark contrasts found in Melville’s work (Gettysburg). On the other hand, Gothicism or Gothism, was a movement nearly identical to Dark Romanticism rather than opposite it. Gothicism also focused on the macabre, but was primarily located in Sweden and focused on the glory of the Swedish Geats, Goths, or Vikings (Gothicism). This movement, although having existed before Romanticism in general, didn’t find traction until the rise of Dark Romantic literature which resonated with and forwarded the ideals of Gothicism (Gothic v. Romanticism). The effects of Heroism and Gothicism can still be seen in the latter days, whether it be in music, art, fashion, or any other form of pop culture media.
Finally, Dark Romanticism affects modern America in many fields and art forms today. It can be found in traditional forms like art and poetry, or in non orthodox forms like comedy or fashion. Besides that, it also has influenced American homes. The ideas of violence, pain, and death are things that normal people think about or deal with all of the time, and those concepts make more sense and thus hurt less due to the ideals of Dark Romanticism. Furthermore, the literature that came with Dark Romanticism brought up serious questions that resonate with generation after generation. Mortality, human nature, life, death, and much more are all seen in a different light today than they otherwise would be, and society would be much less enlightened if they lacked this light.
Overall, Dark Romanticism was an essential movement to modern America, and has brought countless works of art with it from its 19th century origins. Without the critical influence of the writers and ideals of Dark Romanticism, the world may have been very different and society less knowledgeable and open minded. Ironically, the art found in human suffering, may be the art that teaches humans how to suffer the least.
Tom Sawyer Defies Society
Mark Twain’s unique style of writing conveys many of his beliefs about life throughout The Adventures of Tom Sawyer. While this novel was written to provide readers with a nostalgic and entertaining story and was not necessarily written with the intent of conveying a clear lesson, many of Twain’s opinions still become apparent within it. The point of view the novel has, the diction the author uses, and the character’s actions all contribute to the illustration of a prevalent theme in the novel:; one does not have to follow the societal standards of behavior to be happy and successful.
To begin with, the author’s viewpoint is the first significant element within The Adventures of Tom Sawyer that conveys this theme. The fact that the novel is written in third person omniscient point of view allows the reader to get and understanding of all the characters, but most importantly develop an understanding of Tom Sawyer himself through his thoughts as well as his actions. The story has a fuller dynamic because Tom’s mischievous thoughts are present, showing that Tom is not stereotypically good as society(school, church and his aunt being main figures of society in his life)expects him to be. For example, in the notorious whitewashing incident on page fourteen, “Tom gave up the brush with reluctance in his face, but alacrity in his heart. And while the late steamer Big Missouri worked and sweated in the sun, the retired artist sat on a barrel in the shade close by, dangled his legs, munched his apple, and planned the slaughter of more innocents.” After the entire fence was whitewashed by Tom’s trickery, Tom deceived his skeptical Aunt Polly by showing her “his” finished work. Tom does not get punished, he is actually unknowingly rewarded for his schemes with a treat and he proceeds to go off and play. This event is exemplary of how Mark Twain believes that one does not have to follow the societal standards of behavior to be happy and successful, as we see Tom come about success dishonestly, and without regard to morality. Additionally, the author’s use of diction, specifically figurative language, has a thematic importance. Tom’s restlessness and longing for excitement, caused by the boring lifestyle led by most in St. Petersburg, was responsible for his trouble-making ways and plots of adventure. For instance, on page fifty-eight Twain states, “But the elastic heart of youth cannot be compressed into one constrained shape long at a time. Tom presently began to drift insensibly back into the concerns of this life again. What if he turned his back, now, and disappeared mysteriously? What if he went away -- ever so far away, into unknown countries beyond the seas -- and never came back any more!" Twain uses this metaphor to explain Tom’s rapid and melodramatic attitude changes to be a phenomenon of a youthful heart, that drive him to defy the beliefs of society imposed upon him, and enjoy doing so. Finally, the actions of the characters in Tom Sawyer explicitly portray the theme that one does not have to follow the societal standards of behavior to be happy and successful. Time after time, Tom’s adventures go against the expectation to be “good little boy” who follows the rules. Yet Tom does not suffer consequences for his disobedient, however not malicious, actions. In fact, he almost always comes out on top. One key example of this is the sequence of events that conclude the novel. Tom and Huckleberry Finn discover Injun Joe’s treasure in the cave, and become rich, heroic figures of their small town. However, the boys did not come upon the fortune by hard work, and Tom did not learn a lesson after being trapped in the cave with Becky and almost perishing. At the end of the book Tom conspires, “Looky here Huck, being rich ain’t going to keep me back from turning robber,” (Twain 228). Tom is still the same scheming, playful boy that readers have become familiar with. These events show that through the course of the novel, Tom hasn’t learned to behave properly, and that Twain does not believe he should have. The author easily could have shown Tom receiving repercussions for his actions, but the fact that he didn’t conveys his ideas that mock the societal ‘norms’.
To conclude, the theme that one does not have to follow the societal standards of behavior to be happy and successful is unmistakably clear within The Adventures of Tom Sawyer. Mark Twain portrays this collectively through the point of view of the novel, the diction used, and the actions of the characters. If Tom Sawyer “followed the rules” would there have even been a story?
Mark Twain’s unique style of writing conveys many of his beliefs about life throughout The Adventures of Tom Sawyer. While this novel was written to provide readers with a nostalgic and entertaining story and was not necessarily written with the intent of conveying a clear lesson, many of Twain’s opinions still become apparent within it. The point of view the novel has, the diction the author uses, and the character’s actions all contribute to the illustration of a prevalent theme in the novel:; one does not have to follow the societal standards of behavior to be happy and successful.
To begin with, the author’s viewpoint is the first significant element within The Adventures of Tom Sawyer that conveys this theme. The fact that the novel is written in third person omniscient point of view allows the reader to get and understanding of all the characters, but most importantly develop an understanding of Tom Sawyer himself through his thoughts as well as his actions. The story has a fuller dynamic because Tom’s mischievous thoughts are present, showing that Tom is not stereotypically good as society(school, church and his aunt being main figures of society in his life)expects him to be. For example, in the notorious whitewashing incident on page fourteen, “Tom gave up the brush with reluctance in his face, but alacrity in his heart. And while the late steamer Big Missouri worked and sweated in the sun, the retired artist sat on a barrel in the shade close by, dangled his legs, munched his apple, and planned the slaughter of more innocents.” After the entire fence was whitewashed by Tom’s trickery, Tom deceived his skeptical Aunt Polly by showing her “his” finished work. Tom does not get punished, he is actually unknowingly rewarded for his schemes with a treat and he proceeds to go off and play. This event is exemplary of how Mark Twain believes that one does not have to follow the societal standards of behavior to be happy and successful, as we see Tom come about success dishonestly, and without regard to morality. Additionally, the author’s use of diction, specifically figurative language, has a thematic importance. Tom’s restlessness and longing for excitement, caused by the boring lifestyle led by most in St. Petersburg, was responsible for his trouble-making ways and plots of adventure. For instance, on page fifty-eight Twain states, “But the elastic heart of youth cannot be compressed into one constrained shape long at a time. Tom presently began to drift insensibly back into the concerns of this life again. What if he turned his back, now, and disappeared mysteriously? What if he went away -- ever so far away, into unknown countries beyond the seas -- and never came back any more!" Twain uses this metaphor to explain Tom’s rapid and melodramatic attitude changes to be a phenomenon of a youthful heart, that drive him to defy the beliefs of society imposed upon him, and enjoy doing so. Finally, the actions of the characters in Tom Sawyer explicitly portray the theme that one does not have to follow the societal standards of behavior to be happy and successful. Time after time, Tom’s adventures go against the expectation to be “good little boy” who follows the rules. Yet Tom does not suffer consequences for his disobedient, however not malicious, actions. In fact, he almost always comes out on top. One key example of this is the sequence of events that conclude the novel. Tom and Huckleberry Finn discover Injun Joe’s treasure in the cave, and become rich, heroic figures of their small town. However, the boys did not come upon the fortune by hard work, and Tom did not learn a lesson after being trapped in the cave with Becky and almost perishing. At the end of the book Tom conspires, “Looky here Huck, being rich ain’t going to keep me back from turning robber,” (Twain 228). Tom is still the same scheming, playful boy that readers have become familiar with. These events show that through the course of the novel, Tom hasn’t learned to behave properly, and that Twain does not believe he should have. The author easily could have shown Tom receiving repercussions for his actions, but the fact that he didn’t conveys his ideas that mock the societal ‘norms’.
To conclude, the theme that one does not have to follow the societal standards of behavior to be happy and successful is unmistakably clear within The Adventures of Tom Sawyer. Mark Twain portrays this collectively through the point of view of the novel, the diction used, and the actions of the characters. If Tom Sawyer “followed the rules” would there have even been a story?
Response to Thoreau’s Simplicity Quote
I strongly disagree with Henry David Thoreau’s quote, “Our life is frittered away by detail. Simplicity, simplicity, simplicity! I say, let your affairs be as two or three, and not a hundred or a thousand; instead of a million count half a dozen, and keep your accounts on your thumbnail.” because it makes no sense for who it is coming from and how it is worded, as well as the message it pushes. Firstly, even if you try to cut as much complexity out of your life as possible, each day will still involve a large variety of moving parts. Humans are naturally complex creatures, so living simply is virtually impossible. Plus, for a quote about simplicity, it sure is complex. You could easily shorten it to something along the lines of “Get rid of the complexity in your life and live simpler and happier.” with the same message made even stronger by the lack of contradiction. Finally, Thoreau always tells people to live true to themselves. Alternatively, this quote is telling people exactly how to live. While simplicity may be fulfilling to some, it is entirely detrimental to others. Some may say that the more complex your life is, the more stress weighs down on you; however, stress is only a symptom of a complex life. If you can manage your time correctly (much like I am writing this whole essay on the bus the same day it is assigned), life can be blissful while still complex. In conclusion, I don't think Thoreau’s quote doesn't make sense from a logical, consistent, or overall true standpoint.
I strongly disagree with Henry David Thoreau’s quote, “Our life is frittered away by detail. Simplicity, simplicity, simplicity! I say, let your affairs be as two or three, and not a hundred or a thousand; instead of a million count half a dozen, and keep your accounts on your thumbnail.” because it makes no sense for who it is coming from and how it is worded, as well as the message it pushes. Firstly, even if you try to cut as much complexity out of your life as possible, each day will still involve a large variety of moving parts. Humans are naturally complex creatures, so living simply is virtually impossible. Plus, for a quote about simplicity, it sure is complex. You could easily shorten it to something along the lines of “Get rid of the complexity in your life and live simpler and happier.” with the same message made even stronger by the lack of contradiction. Finally, Thoreau always tells people to live true to themselves. Alternatively, this quote is telling people exactly how to live. While simplicity may be fulfilling to some, it is entirely detrimental to others. Some may say that the more complex your life is, the more stress weighs down on you; however, stress is only a symptom of a complex life. If you can manage your time correctly (much like I am writing this whole essay on the bus the same day it is assigned), life can be blissful while still complex. In conclusion, I don't think Thoreau’s quote doesn't make sense from a logical, consistent, or overall true standpoint.
Man’s Desires
I strongly agree with David Thoreau's quote,”Rather than love, money, than fame, give me truth.” Some may say that love is stronger than anything, however love may be misleading. First and foremost, the fact that many people have been dumped or cheated on proves that love isn't always dependable. Just imagine the heartbreak that follows after being dumped or lied to. Compared to the truth, love is a flimsy structure, ready to topple over. As well as love, fame and glory are pathetic alongside the truth. For example, popularity is temporary. It feels amazing once you are noticed, but eventually you will be neglected as the interests of the people around you change. The truth on the other hand is everlasting. It won’t die away or be disregarded. It will stay around forever, remembered and seen, because the truth is salient and can be life-changing. Furthermore, truth is the greatest commodity you could ever have. While fame, love, and money are short-term, the truth is eternal. It’s austerity and validity is refreshing, and no doubt lies within honesty. As I said, man’s desires like fame, money, and love, will always fall short of the most important possession a man could have: the truth.
I strongly agree with David Thoreau's quote,”Rather than love, money, than fame, give me truth.” Some may say that love is stronger than anything, however love may be misleading. First and foremost, the fact that many people have been dumped or cheated on proves that love isn't always dependable. Just imagine the heartbreak that follows after being dumped or lied to. Compared to the truth, love is a flimsy structure, ready to topple over. As well as love, fame and glory are pathetic alongside the truth. For example, popularity is temporary. It feels amazing once you are noticed, but eventually you will be neglected as the interests of the people around you change. The truth on the other hand is everlasting. It won’t die away or be disregarded. It will stay around forever, remembered and seen, because the truth is salient and can be life-changing. Furthermore, truth is the greatest commodity you could ever have. While fame, love, and money are short-term, the truth is eternal. It’s austerity and validity is refreshing, and no doubt lies within honesty. As I said, man’s desires like fame, money, and love, will always fall short of the most important possession a man could have: the truth.